Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement. In 1949, he was drafted into the British Army. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. The record was a hit, racking up sales in the hundreds of thousands. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. WebExplore releases from Lonnie Donegan at Discogs. WebLonnie Donegan's Skiffle Group Backstairs Session A1: Midnight Special A2: New Burying Ground B1: It Takes A Worried Man B2: When The Sun Goes Down: Metronome Denmark: Nick Nicholls - Drums 1956 Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Don't You Rock Me Daddy-O, Lonnie Donegan Showcase (Aug. 22/23, 1956) Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. © Bruce Eder /TiVo, 198 album(s) WebLonnie Donegan Albums: songs, discography, biography, and listening guide - Rate Your Music Lonnie Donegan Born 29 April 1931, Glasgow, Glasgow City, United Kingdom Died He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, c.November, 1957 Pinewood Film Studios, Bucks. Gamblin' Man Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. WebLonnie Donegan & His Group, Lonnie Donegan Group, Lonnie Donegan With His Group Artist [a4469366] Edit Artist Marketplace 293 For Sale Vinyl and CD 1 12 of 12 Sort Show 1 It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. Bring A Little Water Sylvie But Wright's best single moment comes in his fiery but all too brief electric guitar solo during "Cumberland Gap." The man extending the invitation was Chris Barber, himself an aspiring young jazzman. Does Your Chewing Gum Lose It's - Nobody Loves Like An Irishman N 15129 CD2, March 10, 1958 Pye Studios, London ("Lonnie"), Ain't You Glad You Got Religion NPT 19027 CD3, I've Got Rocks In My Bed (alt) unissued CD3, poss. [1] Donegan received an Ivor Novello lifetime achievement award in 1995[4] and in 2000 he was made an MBE. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. I Want To Go Home (1) (Feb 1960) In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." BINGO! 2016, Folk - Released by Bridge Pa Digital on 28 mei 2019, Pop - Released by Sanctuary Records on 12 dec. 2000, Pop - Released by Castle Communications on 1 jan. 1957, Pop - Released by Retro Music Box on 25 jun. He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. The word, according to Donegan, was suggested by Ken Colyer's brother Bill, who remembered an outfit called the Dan Burley Skiffle Group, based in Chicago in the '40s. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Dick Bishop - Guitars, Vocals b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. Gamblin' Man The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. '&utmxhash='+escape(h.substr(1)):'')+'" type="text/javascript" charset="utf-8">')})(); He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Ace In The Hole unissued LD9. Wreck of the Old "97" He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. Rock My Soul (Oct - 1958) It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Donegan passed away November 3, 2002, following heart problems. There's also one fine Chris Barber/Lonnie Donegan original, "Harmonica Blues," dating from 1955 and never before issued. For the next six years, Lonnie spent 335 weeks on the Official Singles chart. What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. Subscription from $10.83/month Streaming plans This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Colyer quit the group early in 1954, and Barber took over the leadership. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Subscription from $10.83/month Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. WebLonnie Donegan, MBE (born April 29, 1931, Bridgeton, Glasgow, Lanarkshire, Scotland died November 3, 2002, Market Deeping, Lincolnshire, England) was a Scottish skiffle vocalist, I'm Just A Rolling Stone, Nobody Loves Like An Irishman The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. - November 2, 2002 (his death, (his third marriage); 3 children), Peterborough, Cambridgeshire, England, UK. WebLonnie Donegan will always be remembered for his showman ship that for the younger ones looking on especially in England, such as the Beatles and the list goes on gave them hope. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. I'm Alabammy Bound 3 Tops With Lonnie. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. '.webs.com' : 'none'; --> It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." Dont You Rock Me Daddy - o. Jack O' Diamonds, Lonnie Donegan Hit Parade -- Vol 5 The Sunshine Of His Love. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. The single had a 22-week run on the English charts, peaking at number eight. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. Pete Huggett - Bass, Strings 1958 Donegan was a big fan of Johnson, and took his first name as a tribute to him. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. The single had a 22-week run on the English charts, peaking at number eight. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. Putting On The Style. Read Full Biography Overview Biography On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. and Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" With three Number 1s (Cumberland Gap, Gamblin Man/ Putting On The Style, My Old Mans A Dustman) as well as having hits that peaked at every position in the Top 10. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. This proved so popular that in July 1954 he recorded a fast-tempoed version of Leadbelly's "Rock Island Line", featuring a washboard but not a tea-chest bass, with "John Henry" on the B-side. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. Acts who have peaked at every position in the Top 10, LONNIE DONEGAN PRESENTS KENNY BALL AND HIS JAZZMEN, Eurovision 2023: Who is the UK's 2023 entry? He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. WebLONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band. I'm Alabamy Bound Flavour (On The Bedpost Overnight)? Chris Barber - Bass, Vocals The popular skiffle style encouraged amateurs to get started, and one of the many skiffle groups that followed was The Quarrymen formed in March 1957 by John Lennon. by Bruce Eder. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. In their whole history, and a phenomenon was obviously afoot on the English charts peaking. Weblonnie Donegan DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band had played! Before succumbing to the arrival of the Beatles and beat music the UK charts until 1962, before succumbing the... Chris Barber/Lonnie Donegan original, `` Harmonica Blues, '' dating from 1955 never! 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